What I mean, #4

“If you can think of the mind as having one hundred ergs of energy, and the average man uses fifty percent of his energy dealing with the everyday problems of the world — just general kinds of things — then he has fifty percent more to do creative kinds of things that he wants to … More What I mean, #4

What I mean, #3

Once again, I like The Compleat Academic because it is realistic and does not condescend. It does not assume incompetence, and it does not recommend fear. If I were a linguist I would you go through what is mostly said to graduate students and assistant professors and study the vocabulary. It is about how you … More What I mean, #3

That Discerning Eye

♦ This sketch does not justify my working title which refers to Villaverde’s “ojo conocedor” — the eye which sees race. The “discerning eye” in his text and in others is what makes one (Latin) American. Elite criollos need it so as to know with whom they are dealing; others do too, so as to know … More That Discerning Eye

El público

Here is some of something I said on e-mail today: I am trying to understand how two circuits of signification, despite disarticulation at some levels, connect (and connect they do): (a) different definitions of race and the racial, different formations of racial meaning in different places, and (b) race and the world system, where things … More El público

Protegerse

I wrote this about six weeks ago and programmed it to come up today in case I still wanted to hear it. I cannot believe I actually wrote this so recently, but I did. Here is a hilarious critique of The Artist’s Way. I agree in substance although at the moment the excessive coddling Cameron recommends … More Protegerse

The Grand Inquisitor

If your conscience tells you one thing, and the Holy Father through the authority of the Magisterium has determined something else, then it is not your conscience against the hierarchy; there is actually, beneath what you think is your conscience, your real conscience which must, because you’re made by God, understand already, that you’re wrong. … More The Grand Inquisitor

On physical space

I could do a series of interesting, mostly modernist paintings on this. One about being invaded, run over, chased across a field, cut down with a shovel (although in some dreams I make it across the border). A Cézanne, perhaps. Another about being in the Reeducation camp, perhaps by Klee (I would like to go … More On physical space