More Mbembe

I’m right: race is at the center (of the colonial drama). Of course one knows this but my questions all started out with these novels being taught as examples of literary movements, the issues they raise not addressed at all, and with the fact that I assumed, from my education, that racism was something we’d … More More Mbembe

Reading Mbembe

The transnationalization of the Black condition was a constitutive moment for modernity, with the Atlantic serving as its incubator. After Independence, a class of Creole Whites asserted and consolidated their influence. Oldquestions of heterogeneity, difference, and liberty were once again posed, with new elites using the ideology of mestizaje to deny and disqualify the racial … More Reading Mbembe

My BRASA paper

Years ago I was to write an article on Veloso and I could not finish it, partly because of what my work responsibilities were here and partly because of the emotions I have attached to that music (it was used to advertise Bahia as paradisiacal when I was there and miserable, and it agitates me). … More My BRASA paper

John D. French

His critique of Bourdieu and Wacquant in Nepantla (2003) is key, although his other article, where he defends Hanchard against their accusation that he has “imposed” a U.S. model on Brazilian scholars, is fierier and more fun. Here Bourdieu and Wacquant have again claimed that intellectual exchange from the U.S. to Brazil “flows in one … More John D. French

Continuing with that paper I had sketched out in longhand

The notes are fragmentary, but the question was, what do these novels mean? I was suggesting these novels present state projects that do not resolve the questions of race and slavery, and are in fact designed not to do so. The Latin American subject is the one who is going to remain in this limbo; … More Continuing with that paper I had sketched out in longhand

A paper on Sommer and da Silva I had sketched out in longhand

And I won’t reproduce it all here. Point 1 was that Sommer says romance makes nation, but the families in the novels she discusses aren’t stable; they’re unhappy, disintegrating, and so on. Family is not peace and conciliation. Examples: Ma.: ella muere y Efraín se va a la nada; C.V.: los personajes mueren y las … More A paper on Sommer and da Silva I had sketched out in longhand