Othering Spanish

To make some decisions about software and train myself in current versions of it, I reformatted a short document with endnotes, that book review I struggled with and complained about before. As a rule one should not review what one does not like. But I find reviewing new poetry very instructive and I learned a … More Othering Spanish

More Holden

A related feature of the abstract image—one which may make it increasingly attractive to poets—is that abstract statement permits a far wider range of subject matter than we generally find in a poem dependent entirely upon occasion. The emotional range, the subject matter of poems based upon a particular occasion—on a dramatic situation or incident—is … More More Holden

Spanish influence in American poetry

The Abstract Image Two related strands of poetic diction have been handed down to contemporary American poetry from a tradition which we might label roughly “surrealist.” The first of these strands, predominantly Spanish in origin and one which we might label “archetypal,” has been brilliantly analyzed and criticized by Paul Breslin in his essay “Nihilistic … More Spanish influence in American poetry

Holden 3

Although the term “conversation” includes many types of discourse, and the “conversation” poem appears in such diverse guises as the “poem of instruction” invented by Gary Snyder in his “Things To Do” poems, and in “letter” poems best exemplified by Richard Hugo’s letter poems in 31 Letters and 13 Dreams, we may distinguish two basic … More Holden 3

William Matthews

Here we have a good poet. Long for Stanley Plumly It’s about to be too late. Every shred of the usual weather is precious and sexual as it goes, the way the links of a fugue become one another’s strict abandonments. As for the future, it will not swerve. Fire sleeps in the tree. Which … More William Matthews

Holden 2

In the conversation poem, the problem of establishing the authority of the speaking voice is even more acute than in confessional. The speaker cannot lay claim to the ethical or moral authority of the confessional voice by virtue of testimony alone. Nor is the conversation poem a dramatic monologue. The reader must be willing to … More Holden 2

Sandra Cisneros

I am disappointed that she is promoting poetry of poor caliber. El que diga yo esto means that I am more loyal to poetry than I am to alleged poetic leaders in what has also become my Raza. Que así sea. Axé.

In Radical Pursuit

Is it possible that there are different levels of poetry? Poetry that is like commercial pop music, and good in this genre, but that you should not compare to good music? Should we call poetry that aims for a support group level of discourse, poetry? Holden says that in confessional and conversation poetry, the life … More In Radical Pursuit

Holden 1

Style and Authenticity in Postmodern Poetry (Columbia: U of Missouri P, 1986) Jonathan Holden CHAPTER 2 (pp. 33-44) The Contemporary Conversation Poem The most personal type of contemporary poem—personal because in this type of poem we find the poet speaking in his or her own person directly to the reader—is the poem which appropriates, as … More Holden 1