These are some earlier notes on Anne Waldman’s Outrider and a few of my reasons for reading it. Continuing, I will excerpt from the second and third pieces in the book, and bold the phrases which most strike me. This reading is turning me slightly Buddhist. The term “OUTRIDER,” says Waldman, was adopted in part … More Anne Waldman
We lived, I and Lucie, in a devastated world; and because we did not know how to commiserate with the devastated things, we turned away from them and so injured them, and ourselves as well. (313) “If the mountains were paper and the oceans ink, / If the stars were scribes, and all the world … More Milan Kundera III
Here are some fragments from the first section of Anne Waldman‘s Outrider (Albuquerque: La Alameda Press, 2006). I love poetic manifestos, and I have just discovered an entire web archive of them. And someone at Western Michigan has excerpted portions of Olson’s 1950 manifesto Projective Verse for the sake of contemplation. I am engaged in … More Outrider
1. This is the Whoppin’ Blues with band leader Dr. Michael white on clarinet, Bob Wilder on sax, Mark Braud on trumpet, Fred Lonzo on trombone, Steve Blaylock on guitar, Steve Pistorius on bass, and Shannon Powell on drums. Dr. Michael White is a professor at Xavier University in New Orleans. It is my understanding … More Dr. Michael White New Orleans Jazzband
This is Louis Armstrong on West End Blues, also a clip from Ken Burns’ PBS series Jazz, with beautiful images of the town which has slipped away. This is a very famous song, and that should be Earl Hines on piano. I am not a great jazz expert, but I did write a paper on … More West End Blues/Sugar Blues
In the fifth part of Early Years of Jazz, we learn about the legendary Buddy Bolden, who never recorded. At least one band has worked to reconstruct of the Buddy Bolden sound, which included swinging ‘hot’ music with wicked lyrics. Bolden’s career was cut short because he developed a form of dementia and was confined … More Buddy Bolden
Here in the fourth part of Early Years of Jazz, we see how Jim Crow turned Creoles Black. The music of these new mixed bands would, of course, be New Orleans jazz. Axé.
This is the third part of Early Years of Jazz. Neither ragtime nor the blues were born in New Orleans, but they met here. One rag was called Dance of the Lunatics (An Idiotic Rave). And Branford Marsalis says the blues are about freedom. Axé.
This is the second part of Early Years of Jazz, and my favorite part so far, focusing on nineteenth century New Orleans, our Caribbean city. I would have loved to visit then, and hear the accents in Creole and French. Axé.
“Jazz music objectifies America. It is an art form that can give us a painless way of understanding ourselves,” says Wynton Marsalis at the beginning of Early Years of Jazz – Part 1. This film is a Florentine Films production about which I am trying to discover more. Part 6, which we have already seen, … More Early Years of Jazz
coldhearted scientist وداد 