I would add and emphasize that the literary construction of a national subject with indigenous roots, modern-democratic feeling, and transnational potential has been an elite, not a subaltern project in Latin America for over two hundred years. This subject is a product of colonialism, and it could be argued that it was crafted after formal decolonization to anchor the modern/colonial world-system in place, not to dismantle it.
Denise Ferreira da Silva’s work actually suggests this. HERE IS THE TOPIC OF NEXT PAPER! (But I knew that.)
GENERAL NOTE: have I emphasized clearly enough that in a feminist critique of mestizaje you kind of should talk about origins of mestiza in rape? Especially if you are using Vasconcelos? It goes without saying, I think, but at the same time: these mestizos and mestizas have that status originally because they’re products of colonialism / patriarchy, and this matters in a particular way when you’re idealizing mestizaje.
Anyway, I am not using these things in this paper, but I need them.