I have to read that old Robert Young book, Colonial Desire. I never did.
Meanwhile, Rubén Medina is a smart person I met randomly at one MLA early on, and who has been smart since. I need to find an old article of his, “Gloria Anzaldúa: The Politicsand Poetics of Mestizaje”, in Crítica: A Journal of Critical Essays (Primavera, 1998): 73–85. This is from his 2008 piece.
Gloria Anzaldúa and mestizaje as self-fashioning
+ People think of hybridity as transgressive, but it isn’t always, as Gruzinski has pointed out (in the first half of the piece Medina talked in detail about the colonial history of mestizaje and about Vasconcelos).
+ Pnina Werbner notes the lack of a “process-based” theory of hybridity in critics like Hall, Bhabha and Gilroy. These critics only recognize that heteroglossia opposes monologism. There are a number of questions to be asked here.
+ on 119, Medina agrees with me: the mixing Anzaldúa, and others emphasize is between a subaltern and hegemonic, not among subalterns. An example in the U.S. is that many Chicanos “mix” with people of other races; Anzaldúa is working on the Mexican, the idealized indigenous, and the Anglo.
+ A. uses the mestizaje model in one way, to promote post-structuralist, constantly reforming, interculturality, and then in an aspirational, individualist way, to self-fashion, to imagine another way of being/world. Medina asks: how do you get from here to there?
+ For instance: can you disentangle elements of a culture to form one of your own? How do you get from the material/historical circumstances of nation to utopia (as a scene of desire) to design a culture of your own, outside discourse and daily life? How will the subalterns do this and can they really tolerate contradictions, in the way the author would like?