The inner life of mestizo nationalism (Tarica) is another book to get, probably key. Joshua Lund’s later book is in dialogue with it, too. And look at page 80 of Lund: I’m right, it is a question of articulating nation and state. And: Asturias uses the stylized indígenas to come up with a more inclusive nation, but Castellanos stages that same culture to problematize that politics of inclusion / the mestizo state.
I was rereading Joanna O’Connell’s now old book on Rosario Castellanos and noted the reference to women characters like Dido (in the Aeneid, but also in Castellanos), Judith and Salomé who are threats to the foundation of nation. Daughters’ sexuality is an issue of racial and national loyalties. How does Cecilia fit into this?
I can see a next paper, on Mercier (St. Ybars), Cecilia and Emily Clark, centering on the placée. How Yankee travel writing + [what was the story that came from Haiti?] generates the terms in which Cuba and Louisiana see themselves. These mulatas are transgressive according to Glissant [recheck, it’s in Poétique de la relation] because they upset categories, but is this also something about preventing the foundation of nation?
What about Sab?